The Good Life are rather overrated. The impulse to write songs about nothing but your failed relationships is born of the same navel-gazing that causes relationships to fail. Tim Kasher is an absolute dope who lacks stage presence and makes political shout-outs so ham-fisted as to make Kanye West seem smooth. But hell, it was vaguely groovable music played on a beautiful day, their signiture, "Album of the Year" is undeniably endearing, and overall it could have been worse, even with the doddering teenage twits who make up the band's most loyal base.
Argentine Juana Molina's folktronica sound is damned fascinating, especially with her Italian-flavored, consonants-as-vowels, Buenos Aires dialect of Spanish. Her instruments are an acoustic guitar, some synthesizers, and an echo machine that enables her to use a a single lyrical line as background noise for the next minute or so. Very cool, and perfect for sunset.
I actually liked her better than Feist, who was perfectly fine, charming and playing a good mix of up-tempo songs and torch burners. I'm afraid that I was somewhat distressed by the climax of the show as I had lost track of anyone from Lincoln and worried that my Smiley novel and cheap cigarettes were lost to the four winds. But in the end I ran into Ms. Rebecca who had dutifully saved them for me. There was a shadow show that complimented the music very well, especially on the false closer before the encore, the night was cool and the crowd became more tolerable as Leslie began to command their attention. Overall though, I felt as if something were being held back, can't really explain why.