How to Describe the electronic phase for "Of Montreal"? As showcased Friday night at Knickerbockers? I could go for cheap one liners; The Beatles and Bowie go on a seven day laughing gas binge toghether and decide to make an album. Woodstock Disco (Or better yet, "Frisco Disco LOL)
Their sound is centered on the most melting-plastic-perfect synth lines that have been heard since sampling technology allowed artists of the lazy ass P Diddy/Playstation generation to rip off Bernie Worrel for their next club banger. Add to this a Eurotrash circus stage show that perfectly compliments the music. The wordplay in the lyrics is complex while still catchy, mystical and intelligent without being unintentionally funny. The energy of the show... damn...and also... damn.
The only way it could be better is if the band was playing at my personal compound where I could eat X and service my slave girls at my leisure. Simply put, Of Montreal is the band for anyone who enjoys splitting rails of coke with one's pet giraffe and "manservant" (And isn't this everybody?)
I've heard a nasty rumour that Barnes and the gang our moving away from their dance music phase and back to a more "personal" sound. There is a good chance that this could be good as well. I certainly hope it isn't code for stereotypical indie mumbling and guitar fuzz. (Not that there's anything wrong with that, but it would be a devolution for these guys.) Whatever comes in the future, I'm going to sorely miss the sound of a thousand patchouli scented robot bees swarming through my head, and I'm glad I got to experience the feeling live while I still had the chance.
Dé Luain, Lúnasa 14, 2006
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